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Please review the following information to ensure ** the GNU Free Documentation License version 1.3 requirements ** will be met: https://www.gnu.org/licenses/fdl-1.3.html. ** $QT_END_LICENSE$ ** ****************************************************************************/ /*! \page studio-3d-camera.html \previouspage studio-3d-lights.html \nextpage studio-3d-scene-environment.html \title Using Scene Camera A camera is always necessary to view the content of a 3D scene. A camera defines how to project the content of a 3D scene into a 2D coordinate space, which can then be used on a 2D surface. When a camera is present in the scene, it can be used to direct what is displayed in a 3D view. You can use the following 3D QML types to determine camera projection: \list \li \l{PerspectiveCamera}{Camera Perspective} - is the standard camera type, which uses field of view and near and far clip planes to specify the projection. \li \l{OrthographicCamera}{Camera Orthographic} - renders all contents with no perspective. It is ideal for rendering 2D elements, because your images are guaranteed to be the right size on the screen, and you can use the z position of components to bring them closer to or take them farther from the camera (\e z-sorting) with no foreshortening artifacts. \li \l{FrustumCamera}{Camera Frustum} - enables finer grain control of how the frustum is defined, by setting the number of degrees between the top and bottom or left and right edges of the camera frustum. This is useful when creating asymmetrical frustums. \li \l{CustomCamera}{Camera Custom} - provides full control over how the projection matrix is created. \endlist You can position the camera in the scene and set the direction it is facing. The default direction of the camera is such that the forward vector is looking up the +z axis, and the up direction vector is up the +y axis. You can apply transforms to the camera and its parent types to define exactly where your camera is located and in which direction it is facing. The second part of determining the projection of the camera is defining the field of view (\e frustum) of the camera that defines which parts of the scene are visible, as well as how they are visible. You can edit the camera properties in the \uicontrol Properties view. \section1 Setting Camera Field of View The camera frustum can be obtained by taking a frustum (that is, a truncation with parallel planes) of the cone of vision that a camera or eye would have to the rectangular viewports typically used in computer graphics. The shape of the cone depends on the camera lens that is being simulated. Typically, it is a rectangular pyramid with the top cut off. The planes that cut the frustum perpendicular to the viewing direction are called the \e {near plane} and the \e {far plane}. Components in front of the near plane or behind the far plane are not drawn. The \uicontrol {Clip near} and \uicontrol {Clip far} properties determine the position of the near plane and the far plane. We recommend that you place the near and far planes as close to each other as possible to optimize depth accuracy. Components are clipped at pixel level instead of element level. This means that a model crossing a plane may be only partially rendered. The \uicontrol {Field of view} (FOV) property specifies the number of degrees between the edges of the camera frustum. The larger the value, the stronger the sense of 3D in your scene. By default, the \uicontrol {FOV orientation} property is set to use the vertical FOV. This value is the number of degrees between the top and bottom edges of the camera frustum. The horizontal FOV determines the number of degrees between the left and right edges of the camera frustum. It is automatically calculated based on the aspect ratio of the scene when the FOV orientation is set to vertical. You can set the orientation to horizontal to translate FOV values from graphics tools such as Maya and Blender, which use horizontal FOV by default. The default values are intended to cause anything within the view of the camera to be rendered. Aside from special clipping effects, you may need to adjust these values to more closely contain your content for better results with ambient occlusion or with effects that use the depth buffer of the camera, such as the \e {depth of field} effect. \note Orthographic cameras don't have the FOV property. */